Film Reviews

My three-part series on Greta Gerwig's Barbie culminates with my full review.

In a season of intensifying violence — in American neighborhoods, and in battlefields of global significance — some of our best filmmakers are telling stories about gun-wielding villains. I've just published thoughts on The Killer and Killers of the Flower Moon.

In Part Two of my Barbie coverage, I establish some necessary context for my upcoming film review. My history with toy trends is a story of formative influences: Barbies for girls, armed men for boys.

Greta Gerwig's brilliant blockbuster gets us laughing at the absurdity of real-world hierarchies (including injustices often reinforced in Christian circles to the harm of everyone involved).

Christopher Nolan seems to be remaking Steven Spielberg's "Raiders of the Lost Ark" in this profound meditation on America's self-righteous obsession with coercive violence and apocalyptic firepower.

Kelly Reichardt's latest depicts the day-to-day challenges of artmaking with such truthfulness that artists may find it almost too familiar.

David Lowery's "Peter Pan and Wendy" gives us a glimpse of the unconventionally meditative and innovative adaptation that might have been. But what it actually is? That might well be the result of studio interference, judging from these strangely incoherent results.

Most people missed the long-awaited adaptation of "Are You There, God? It's Me, Margaret." in the theater. That's a shame, as it's one of 2023's most enjoyable films so far.

The new Netflix sci-fi comedy features John Boyega and Jamie Foxx in their best performances in years.

This rom-com from newcomer Raine Allen Miller just might be the meet-cutest film of the year.