Do the Wrong Thing: a portrait of betrayal in Judas and the Black Messiah (2021)

Compelling, occasionally impressive in its cinematographic finesse, occasionally obvious in its allusions, often too familiar in its form, eventually painful in its truth-telling, this flashy new film is, ultimately, a necessary testimony.


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Oscar-bait extravagance: Mank is a mess

In David Fincher's much-anticipated epic about the origins of Citizen Kane, its political context, and its troubled screenwriter, so much artistry is spent on ambitious and extravagant scenes. But there's no magic happening here.


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