On Movies & Media

Joe Cornish's latest is something less than a chip off the ol' Attack the Block.

Dazzling and hyperviolent, Let the Corpses Tan is one of the most creative thrillers I've seen in years. But take a note of heavy caution: It's also upsettingly graphic.

In which I catch up with a 1983 masterpiece — a father-daughter dance for the ages.

Brandon Vedder's portrait of David Bazan follows the rock star through harrowing experiences of fear, doubt, betrayal, and self-discovery.

Another in my "Less than 500 words" reviews: I finally caught up with Roman Polanski's breakout thriller.

A Hidden Life is a movie that I wish every moviegoer in the world would experience on the big screen while they have the chance. But I'm also holding back from what feels to me like excessive praise.

Even if we grant 1917 the distinction of being the first war film to play from beginning to end as one unbroken scene, I think we must also conclude that it's less than the sum of its part.

At this point, here are my top 21 films of 2019.

Here's a review of J.J. Abrams' The Rise of Skywalker that follows the example of the movie.