What the Wold Needs Now From Michael Moore and the Rest of Us

Hooray for David Poland for saying what so desperately needs to be said, over there at The Hot Button. I resonate with his words about divisive behavior on both sides of the political fence, about Michael Moore, and about a need for more respect from each side for the other.

I'm really sorry I missed this episode of the Bill Maher show now that I hear about THIS happening...

I have been in a bit of a death match with Michael Moore in this column, on the site and on the blog over the last five months. It has cost me dearly. I have been accused of being a right winger, a fascist and an obsessive. I see my role as that of a tennis pro, hitting volleys back over the net relentlessly - but make no mistake, I have heard the rage of many of my (and our, at MCN) valued readers.

I would argue that Moore lost perspective in his journey.

I would argue that his anger got the best of him in the rush to get Fahrenheit 9/11 completed and into theaters in time to make an impact. And I would argue that the embrace of his film, which still stands as a political finger wagging instead of a film of thought and insight as his other films have been, emboldened him to go further and further down the road of excess.

And I played my very best Ginger Rogers to that extremist positioning.

But even in trying to defend the middle, the dance made me a bit of an extremist too.

My favorite moment of post-election media was watching Alan Simpson, a very moderate and earthy Republican congressman who is now a civilian, tear Bill Maher a new a------ on Maher's HBO show last Friday night. Simpson unleashed the rage of the "red staters" in a flow of real and powerful ideas. When Maher made a passing joke about there only being two gays in Simpson's Wyoming, Simpson called him on his bullshit, in that word. He reminded Maher that the people of Wyoming, left, right and center, were disgusted by the murder of Matthew Sheppard. He reminded us all that Sheppard was a real person who suffered a real death and that people on every side of the political spectrum are still human, even if they lose perspective on the humanity of others far too often.

Andrew Sullivan continued that theme, taking a centrist position on a liberal-ly stacked panel (as usual), taking on the mythology of the "people voted on morality" myth that was created by an exit poll (are we trusting those again?) that had morality on top with 22% to 21% for Iraq and 20% for the economy as motives for voting. After a couple of days of bashing the "red states" on this, even the NY Times backed away, running three of five Op-Ed pieces last Saturday on why the poll was inaccurate and should not be used for political capital.

The tone on Maher's show changed radically. And it wasn't the rise of the right. It was a demand from some very smart and caring people for true civility. It was a call to remember that raging at and belittling others for seeing things differently than you and making wide-raging assumptions about who they are based on one slice of their actions is divisive and destructive.

Thing is, I believe in Michael Moore. In some ways, this very column emulates Michael Moore's work. It is the effort of the creative mind, struggling to find a way to communicate ideas in a way that is accessible, sometimes succeeding, sometimes failing. But the effort must be celebrated.

An image of Moore came to me from a different angle recently in a chat with someone in the industry (who will remain nameless since this person probably did not mean to put Moore on the spot or to become the center of a controversy by saying this to me), who told me that Moore had expressed some disappointment in himself for his Oscar acceptance speech, realizing in retrospect that he hit the wrong note with the aggression of that speech. The remark came so casually that I don't doubt it for a second. And how can Moore, always under fire, ever take a step back and publicly admit in the heat of battle that he had mis-stepped? Like Harvey Weinstein, who he teamed up with for Fahrenheit, Moore is the tank that must keep rolling along lest anyone see the points of vulnerability.

But it is time to get out of the tank… to take a good look at the world around us… and to reassess our targets. Michael. And me.

If Moore's new documentary about HMO malfeasance makes just $10 million, it will be a success by comparison to any other docs. And given the space and time he will, I expect, take on this one, it will probably match the quality of his other films, piss some off, be beloved by many, and be a lot less personal.

The public right wing of America went after Moore in much the same way that Moore went after Bush. We can do an autopsy someday, but it is time to move along. When I see Susan Sarandon still questioning the validity of this election (also on the Maher show), claiming voter fraud might have stolen the election for the Republicans, I am saddened. Would she have been questioning Kerry's victory had it been by one small state's electoral votes and a popular vote of less than 100,000? I doubt it. But the idea that questionable ethics are purely a Republican or Democratic thing is simply a denial of reality.

 


A Scene That's Not in the Re-make of Alfie

From James Bowman, quoted in Amy Wellborn's blog, here's a reminder of a scene in the original Alfie that somehow didn't end up in the new re-make of Alfie. Maybe it'll show up on the DVD as a "deleted scene." We can hope...Read more


Email from a Reader re: The Death of Theo Van Gogh

I posted the news about Theo Van Gogh's murder, and quickly received this interesting reply that fills in more of the picture. With the writer's permission, I'd like to share it with you:

... I want you to know a little bit more about Theo van Gogh, the Dutch filmmaker who was murdered last Tuesday in Amsterdam. (By the way, I'm from the Netherlands.)

I conclude from your comment on the "Michael Moore's ego" post [which has since been deleted for other reasons - Jeffrey] that Theo van Gogh has become something of a martyr in the fight against radical islam.

Just a little bit of background information: Theo van Gogh was an extremely provocative person. He was not only a filmmaker, but also a newspaper columnist. With what he wrote and said he offended almost everybody. The last few years he mainly aimed at Muslims, but he once called Christians "supporters of the rotten fish of Nazareth". In his columns he referred to Muslims as "goat f-----s" and called a leader of a radical muslim group "the pimp of the Prophet".

What happened last Tuesday shocked me. I knew who Van Gogh was and what he said. It was clear that he angered Muslims. He received several dead threats in past few months. But it's horrifying when someone decides to use a gun.

I have mixed feelings. There absolutely no justification whatsoever for the killing of Theo van Gogh. And there's a lot to say about the growing threat of radical muslim terrorism. But I'm convinced that Van Gogh did also cross a line. But he did it 'only' with words.

Oh, and his movie about violence against women under Islam DID cause some uproar. But I don't think that's what bothered (radical) Muslims the most. In my view the killing has less to do with that movie, than with his constant scolding of Muslims and their religion.

What Van Gogh said about Muslims didn't really enter American news reports. So I'm certainly NOT blaming you.

"Now they're killing filmmakers who speak ill of Islamic oppression". That's right. But there's more to say. Unfortunately.

Matthijs de Jong

Ede, The Netherlands

 


The Murder of Van Gogh

Andrew Sullivan puts the spotlight on details that should not be ignored. [Update: 2004 posts by Sullivan were not archived on the site, so I'm posting it here in its entirety.]

THE MURDERER OF VAN GOGH: No, I'm not letting go of this story. When a film-maker in a liberal Western country is shot, has his throat cut and then has a long manifesto pinned into his flesh with a knife in broad daylight, more people need to be concerned. Now it turns out that the murderer, who had completely blended into Dutch society, belonged to the same Islamist cult as Abu Musab al Zarqawi, the terrorist now at large in Iraq. The cult is called Takfir Wal Hijra. Here's a useful Dutch blog on the case. Money quote:

"TIME wrote about Takfir Wal Hijra: 'Takfir wal Hijra is a sort of Islamic fascism.' However, even more interesting is the assertion that Takfir Wal Hijra apparently allows its members to appear non-radical, and even non-Islamic, if the mission requires it: 'The threat of Takfir is that its cold, heartless killers could easily be the boy or girl next door. Takfir Wal Hijra members are permitted to disregard the injunctions of Islamic law in order to blend into infidel societies. In other words, Takfirs can have sex with loose women, drink alcohol, eat pork and do whatever else they feel is appropriate to advance their mission.'"

That was also true of the murderers of 9/11. How conveeenient. The note - written in fluent, literate Dutch - is chilling. Here is part of its message. Remember that it was pinned into someone's flesh with a knife, and also threatened another person, Dutch parliamentarian, Ayaan Hirsi Ali:

I know for sure that you, Oh America will go under;
I know for sure that you, Oh Europe, will go under;
I know for sure that you, Oh Holland, will go under;
I know for sure that you, Oh Hirsi Ali, will go under;
I know for sure that you, Oh unbelieving fundamentalist, will go under.

What part of that do we not understand?


The Incredibles: My Review and the Decent Films Review

Here's my review of The Incredibles.

Here's Steven D. Greydanus's review of The Incredibles.

What more do you need to know? Go see it!


Get Out and Vote This Friday for The Incredibles

This Friday, the unthinkable happens ...

We get a superhero movie that's so good, it rivals Spider-man 2 as the best superhero movie of the year.Read more


Loosed!

I saw Woman, Thou Art Loosed just a couple of hours before seeing Ray, and wow, what a combination.Read more