Lee Isaac Chung's strangest film isn't easy to watch. Nor is it easy to forget. But it is well worth seeking out for its cautionary tale of a compromising love affair, mystical visitors from "up there," and the dangers of self-isolation.

In June of 2009, I met Lee Isaac Chung for the first time. We talked about his first feature film Munyurangabo. Nine summers later, I sat down with Chung to talk again — this time about his unpredictable and surprising journeys since then. The recording of that interview is now available for you thanks to Image.

I stared writing about the films of Lee Isaac Chung more than a decade ago. Now that Minari is finally earning him the attention he has long deserved, it would be interesting to revisit those conversations and reviews. Here are the reviews. The conversations are coming tomorrow.

Minari director Lee Isaac Chung has a new essay in the L.A. Times. Have you been reading Looking Closer for the decade that has passed since he shared an essay with us? Here it is again: "Retrospectives."

Compelling, occasionally impressive in its cinematographic finesse, occasionally obvious in its allusions, often too familiar in its form, eventually painful in its truth-telling, this flashy new film is, ultimately, a necessary testimony.

This week, I'm celebrating the theatrical and streaming release of "Minari" in honor of filmmaker Lee Isaac Chung. We'll get it started with just a clip from a 2010 interview that will set some of the context for my appreciation of this filmmaker.

Listen to the latest episode of Looking Closer, which features a conversation with Sarah Welch-Larson about her new book on the theological implications of the Alien franchise.

Consider this a travel journal full of wonders, escapes, thrills, wisdom, and revelation. These are the films that blessed and challenged me most in 2020. Most of them are easily accessible now and you can enjoy them and share them. Take your time and explore.

In this episode of the Looking Closer podcast, filmmaker Chad Hartigan talks about his new sci-fi love story "Little Fish," its focus on the power of memory, and what it was like to make a pandemic-focused movie just in time for a real pandemic.