with Jeffrey Overstreet

I recently caught up with director Mike Mills's film 20th Century Women and wished I'd seen it earlier to include it in my 2016 Favorites list.

Looking for an escape from sheltering-at-home familiarity, I turned to America's most reliable animation studio. But Pixar's Onward remains stuck in uninspired tropes.

In which I begin posting thoughts on the movies I'm watching during the 2020 season of COVID-19 lockdown. First up? A beloved French New Wave masterpiece by Agnes Varda.

The people of House Abascar have been betrayed by false promises and robbed of colors, robbed of hope. But there are rumors of a girl in the woods who gathers colors that no one else has ever seen. And now, you can hear those colors. During these stay-at-home days, you're invited to a reading of Auralia's Colors.

Celebrate with people from 40 countries, in 25 language, as we announce the Good News to the world.

Before you see Niki Caro's reinvention of Mulan, discover her 2003 film about another young female hero who subverts the expectations of her people and overturns restrictive patriarchal traditions.

My enthusiasm for Agnes Varda's documentaries has prompted many to recommend her narrative features. This week, I caught up with Vagabond.

Joe Cornish's latest is something less than a chip off the ol' Attack the Block.

Dazzling and hyperviolent, Let the Corpses Tan is one of the most creative thrillers I've seen in years. But take a note of heavy caution: It's also upsettingly graphic.

In which I catch up with a 1983 masterpiece — a father-daughter dance for the ages.