with Jeffrey Overstreet

Before you see Niki Caro's reinvention of Mulan, discover her 2003 film about another young female hero who subverts the expectations of her people and overturns restrictive patriarchal traditions.

My enthusiasm for Agnes Varda's documentaries has prompted many to recommend her narrative features. This week, I caught up with Vagabond.

Joe Cornish's latest is something less than a chip off the ol' Attack the Block.

Dazzling and hyperviolent, Let the Corpses Tan is one of the most creative thrillers I've seen in years. But take a note of heavy caution: It's also upsettingly graphic.

In which I catch up with a 1983 masterpiece — a father-daughter dance for the ages.

Brandon Vedder's portrait of David Bazan follows the rock star through harrowing experiences of fear, doubt, betrayal, and self-discovery.

Another in my "Less than 500 words" reviews: I finally caught up with Roman Polanski's breakout thriller.

A Hidden Life is a movie that I wish every moviegoer in the world would experience on the big screen while they have the chance. But I'm also holding back from what feels to me like excessive praise.

Even if we grant 1917 the distinction of being the first war film to play from beginning to end as one unbroken scene, I think we must also conclude that it's less than the sum of its part.