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About this list:
Once again, I find myself looking forward to hearing a long list of albums that have come highly
recommended... but I haven’t had the time to give them proper attention.
(That’s what a full-time job, weekly review-and-column deadlines, and three
book deadlines will do to you.)
For example, I have yet to discover The Decemberists'
critically acclaimed new release The Crane Wife; or Solomon Burke's
Nashville; or M. Ward's Post-War; or Elvis Costello's My
Flame Burns Blue.
I also find myself sorting through albums that
I eagerly anticipated, and that were celebrated by other critics I respect,
but that failed to capture my imagination or move me... such as Cat Power's
The Greatest, Neil Diamond's 12 Songs, or Donald Fagen's Morph the Cat.
But that hasn’t stopped me from enjoying —
and, in fact, relying on—a wide variety of music this year.
Before I get my list of favorites, I want to thank
Thom Jurek, Andy
Whitman, Josh Hurst, and the folks at Paste Magazine and
AllMusicGuide and Seattle's KEXP for
giving me so many rewarding recommendations. Their counsel has taken me on a rather bumpy ride, but for every album that made me say, "Huh, I don't
get it," there were two more that increased my trust in their discernment.
I’ll continue to work my way through their 2006 lists.
And one more qualification: This is not meant to be a list of the BEST albums of the year, as I haven’t heard enough to make such a claim.
Nor am I
rating these works solely on their technical excellence, although that
certainly factors. Instead, I'm sharing those
that dazzled me with a mix of musical ingenuity and lyrics that entertained,
enlightened, and sometimes even enthralled me. In other words... they made a
difference in my life.
1. Tom Waits.....Orphans:
Brawlers, Bawlers, & Bastards
Essential tracks:
Lie to Me, Lucinda, Lord I've Been Changed, Road to
Peace, Buzz Fledderjohn, Little Drop of Poison, Take Care of All My
Children, Books of Moses
Generously prolific, Tom Waits has spent the last few
years dazzling fans, old and new, with multiple
collections of surreal, satiric, and scoundrel-ish songs.
But
here, in an unprecedented display of talent and imagination, he opens up his
closets and lets us browse the many brilliant, bizarre, and broken inventions that never made it onto the albums. He
throws in a few surprising covers (including "Sea of Love"!) And then, to sweeten the
deal, he peppers the project with new songs that fuse it all into a
cohesive, crackling whole.
The result: Two discs
that stand with his best albums yet (Brawlers and Bastards),
and a third (Bawlers) that finds him indulging his piano-balladeer whims, achieving
occasional flourishes of beauty and melancholy.
Don’t be deceived — these aren’t “leftovers.” Orphans is a sizeable
menu of memorable songs, fantastic played all at once or carte.
Make your own mix of favorites, and then, in a few
months, make another.
For
Tom Waits fans like me,
it’s like having your birthday and Christmas come at the
same time (double the presents!). Even if it sounds more like
Halloween than Christmas. Even if it feels
like the best kind of New Year’s hangover
instead of the coming of the Redeemer.
Whether he's crying into his beer over a lost
love, lamenting the unbreakable cycle of violence in the Middle East, or
pulling your leg with some elaborate monologue, Waits never fails to
surprise, compel, and entertain. In a year heavily populated with
rock-and-roll veterans doing some of the best works of their career, this
one tops the heap for the proliferation of treasure to be found here.
2.
The Decemberists.....The
Crane Wife
I posted this list on January 1, 2006, and I
heard The Decemberists' album The Crane Wife on the very same day.
I am absolutely giddy with the joy of
discovery. I've been reading raves about it for months, but the isolated
tracks I've heard didn't grab me. Now that I've spent some time with the
whole project I understand.... You have to sit down with it in its entirety,
and read slowly through the lyric book, in order to appreciate it fully.
It really is a work of art. A collection of
provocative poetry. A deeply moving meditation on violence, heartbreak, and
history. And a riveting display of ambitious musicianship.
Even more exciting to me: These guys are from
the town where I grew up.
Normally, albums that are hyped as heavily as
this one end up disappointing me. And I'll be honest... I listened to this
one like I listened to about 20 different albums this year... more out of a
sense of obligation than curiosity. The rest of those albums impressed me,
but failed to make their way into my heart. But this one? Well... wow. I've
only just begun to spend time with this album, and it knocked me down on the
very first listen in a way that nothing else did this year.
Stunning.
3.
Under Byen.....Samme Stof
Som Stof
(added to the list in a 2007 revision)
No, I don't know what they're singing about.
But this intoxicating mix of sounds and styles is entrancing. If Bjork took
music invented by Radiohead, performed it with Sigur Ros and the rhythm
section from Tom Waits' Bone Machine... it would probably sound
something like this. I can't wait to hear where this band goes next.
Here's
the All Music Guide review.
4.
Johnny Cash.....American V -
A Hundred Highways
Essential tracks:
Help Me, On the 309, Further On Up the Road
I don't think we could have asked for a more
fitting final act to Cash's career. I feel nothing but respect and gratitude
to Cash for making the effort, and to Rick Rubin, for crafting it with such
reverence and respect. The covers are carefully selected, to serve as
definitive versions of the songs even as they become autobiographical
statements. And Cash's originals are deceptively simple, giving him a few
last words that find him filled with the hope of heaven, and possessed of a
remarkable humor considering his condition. What a blessing this album is.
(Read Jeffrey's full review
here.)
5.
Bob Dylan.....Modern Times
Essential tracks:
Rollin' and Tumblin', Beyond the Horizon,
Workingman Blues #2
Bob Dylan's latest is, as we should expect,
surprising.
Time Out of Mind surprised us with some of the most
soul-searching work of his career. 2001's Love and Theft was a career peak of
musicianship and energy, a record in which the band itself was half of the
reason to tune in; and it found Dylan more nostalgic for American
rock-and-roots than usual.
So what's the surprise on Modern Times?
Dylan's voice. The band continues their journey through the haunted
corridors of American music history, but they restrain themselves this time,
turning up Bob and letting him explore even more texture and tone. I don't
know that he's ever sounded more confident. And for the
first time in as long as this Dylan fan can remember, there's no need for a
lyric sheet to help us translate the singer's stylized delivery.
The lyrics demonstrate that he's still
wrestling with old ghosts and viewing the future through the lens of
prophecy and poetry.
In "Beyond the Horizon," Dylan recasts "Red
Sails in the Sunset" as a contemplation on a future where redemption waits
for him... or, at least, he hopes so...
It's dark and it's dreary
I've been pleading in vain
I'm wounded, I'm weary
My repentance is plain
Beyond the horizon o'er the treacherous sea
I still can't believe that you have set aside your
love for me
The playful lilt of the song keeps us
slightly skeptical, wondering if the whole thing might be tongue in cheek... a
sort of ironic clowning. But in the context of the other songs about
struggle, regret, and hope, I think sincerity wins out.
In "Spirit on the
Water," the lyrics take the shape of a spiritual lament. The singer
has an insatiable longing for union with the beloved, who seems
elevated and unreachable. Even as he years, he seems trapped in a
world of wrongdoing. The mix of rough, dirty details and sublime
desire recall U2's "With or Without You":
From East to West
Ever since the world began
I only mean it for the best
I want to be with you any way I can
I been in a brawl
Now I'm feeling the wall
I'm going away baby
I won't be back 'til fall
High on the hill
You can carry all my thoughts with you
You've numbed my will
This love could tear me in two
I wanna be with you in paradise
And it seems so unfair
I can't go to paradise no more
I killed a man back there
His
troubles usually come from worldly preoccupations, sometimes personified
by a seductress, as in "Rolling and Tumbling," where he sings:
I got troubles so hard, I can't stand the strain
Some young lazy slut has charmed away my
brains
It's hard
to shake the sense that "this woman" who is tormenting him symbolizes
the unhealthy addictions and compulsions that hold us back from
pursuing our higher calling. "Ain't
nothing so depressing as trying to satisfy this woman of mine,"
he sings. (And I can't help but wonder
if "this woman" might not be the audience, or the press, or those who
continually rush to judgment of his work.)
But
then he adds, "Well, I got up this mornin', see the rising sun
return / Sooner or later, you too shall burn."
He might mean that we, too, will eventually realize the "burn" of that
higher calling. Or, he might mean that we will suffer, as he does, for
his failures and sins, in the light of what might of been.
This is followed by yet another song of
anticipation in the age of apocalypse: "When the Deal Goes Down."
My bewildering brain, toils in vain
Through the darkness on the pathways of life
Each invisible prayer is like a cloud in the air
Tomorrow keeps turning around
We live and we die, we know not why
But I'll be with you when the deal goes down
...
Well, the moon gives light and it shines by
night
When I scarcely feel the glow
We learn to live and then we forgive
O'r the road we're bound to go
More frailer than the flowers, these precious
hours
That keep us so tightly bound
You come to my eyes like a vision from the
skies
And I'll be with you when the deal goes down
While he seems
eager for some kind of blessing and solace, there are plenty of assurances
that the world is bound for a disastrous end, as in
"The Levee's Gonna Break."
Some people on the road carryin' everything
they own
Some people got barely enough skin to cover
their bones ...
Few more years of hard work, then there'll be a
1,000 years of happiness
... If it keep on rainin', the levee gonna break
Some people still sleepin', some people are
wide awake
I have no trouble
viewing Dylan as one of those who's wide awake.
And in "Nettie
Moore," it's that true, higher love that wins out again:
Everything I've ever known to be right has
been proven wrong
I'll be drifting along
The woman I'm loving she rules my heart
No knife could ever cut our love apart.
In the closer,
another epic journey song along which bears a strong resemblance to
"Highlands" from Time Out of Mind, he sings once more about the faith he
maintains, which is both his guide and his torment:
Heart burnin', still yearnin'
Got to get you out of my miserable brain.
All my loyal and my much-loved companions
They approve of me and share my code
I practice a faith that's been long abandoned
Ain't no altars on this long and lonesome road
As Dylan himself
has said in recent interviews, his faith is inseparable from his music, and
that approach to music is, indeed, a "code" shared and understood by very
few artists anymore, practically "abandoned." Those with ears to hear, let
them hear.
With each and
every album, Dylan seems to be writing as if these songs may be his last.
That's not a bad way to work. It drives you to focus on what matters, to
deliver it with passion, and to keep things in humble perspective. So long
as he works with such end-of-the-world fervor, I'll stay alongside him,
nourished for the journey.
6.
Paul Simon.....Surprise
Essential tracks:
How Can You Live in the
Northeast?, Everything About It Is a Love Song, Beautiful, Another Galaxy
In his first release
since 2000's You're the One, and his best collection of songs
since 1990's The Rhythm of the Saints, Paul Simon finds new
energy and inspiration in collaboration with producer-extraordinaire
Brian Eno. In fact, Eno's participation is so significant, that the
album should have been labeled as a Simon/Eno project.
Together, the electronics and synthesizers
that might have obscured Simon's vocals and subtleties instead enhance
them, making these adventures in experimental pop songwriting that are rich
in warmth, passion, poetry, and insight. It's like the sentimental,
optimistic flip-side of 1. Outside, David Bowie's underrated pop
horror show (which Eno also produced).
Simon has never sounded better, and he's not
afraid to sing from the point of view of an aging sage rather than dressing
himself up as some youthful upstart or merely appealing to our nostalgia for
his previous incarnations. It's an astonishing reinvention. Clearly, he's
still full of curiosity and questions about faith, life, and conscience. And
he gives us refreshing perspective on the state of the world, refusing to
sink into bitterness and turning our attention to prayer... the only
possible source of comfort in a world where even well-intentioned human
endeavor seems to degenerate into chaos.
The only slight misstep here is the inclusion
of "Father and Daughter,"
the song he recorded a few years back for the
Wild Thornberrys soundtrack. The song makes for a
fine closer, but it would have been nice if he'd re-recorded it in a style
that better suits the rest of the album. (The song received heavy radio
airplay when the movie came out, and thus it feels like a radio flashback
than a finale for an otherwise masterful performance.)
There were many albums this year that were
more audacious, "relevant," and energetic. But I doubt you'll find many
albums this year that offer so many lasting melodies... songs that will
still speak to us in five, ten, and twenty-five years. In spite of the
flashy new paint job, this baby's gonna run for a long, long time.
7.
Gnarls Barkley.....St.
Elsewhere
Essential Tracks:
Crazy, The Boogie Monster,
Transformer
Like an
explosive collision of Sgt.-Pepper-era Beatles, Dr. Teeth and the Electric
Mayhem, Prince, Seal, and Gorillaz, Gnarls Barkley fuses funk, soul,
hip-hop, and just about any other genre you can name. Their monster hit,
"Crazy," is just as contagiously fantastic now as it was when it first hit
the British charts. Producer Danger Mouse and the surprisingly agile
vocalist, Cee-Lo Green, cook up several irresistible pop inventions here,
stuck together with Krazy Glue. While the lyrics, taken on their own, might
make us worry about the songwriter's depressed state of mind (they explore
suicidal impulses, madness, paranoia, and even necrophiliac tendencies), the
music makes it very clear that this is just a bunch of inspired clowning.
8.
My Brightest Diamond.....Bring
Me the Workhorse
Essential tracks:
Something of an End, Gone Away, Workhorse
Many fans of Sufjan Stevens
came back from his concerts this year raving about the opening act — My
Brightest Diamond — and claiming that “the amazing lead vocalist just about
stole the whole show.” The band’s first full-length album makes those claims
easy to believe.
Soaring, haunting,
scary — Bring Me the Workhorse — ranges through so many sounds and multi-layered
textures that you’ll need to sit still for a while afterward just to catch
your breath.
My Brightest Diamond’s
diva, Shara Worden, proves herself more than capable as a vocalist, ranging
from the PJ Harvey rage of To Bring You My Love to the Bjork pop
opera of Homogenic to the sorcery of Kate Bush's Hounds of Love, with hints of Portishead, Radiohead,
and several more heads besides.
And she backs up the sound
with intriguing, delicate, dream-state lyrics that give us just enough
detail to wonder what personal crises… or hallucinogens… inspired them.
Emphasizing winged things—dragonflies, robins—and a fear of flight, she
quietly confesses longings, appetites, and regrets, while stirring up soundscapes that invite us to
soar.
Imaginative, confident,
complicated, this is the most promising debut I’ve heard this year, and I’ll
be in line for whatever MBD does next next. Maybe we’ll be fortunate enough
to see them headline a tour all their own.
9.
Camera Obscura.....Let's Get
Out of This Country
Essential Tracks:
Lloyd, I'm Ready to Be
Heartbroken; I Need All the Friends I Can Get; Dory Previn;
Let's Get Out of This Country
(Read Jeffrey's review
here.)
10.
Bruce Springsteen.....We
Shall Overcome: The Seeger Sessions
Essential tracks:
O Mary Don't You Weep, Jacob's Ladder
A
spirited revival par excellence, sung with passion and joy, trembling with
the hope of glory, and so loud that you can hear the timbers of the house
shivering. It's a wonder the place didn't come crashing down around this
inspired party. I've never been a full-fledged Springsteen fan, but this is
a fantastic record that won't ever get old.
11, 12.
Bruce Cockburn.....Life Short
Call Now
and
Alejandro Escovedo.....The Boxing Mirror
Essential tracks:
Mystery, Tell the Universe, See You Tomorrow
In his best album since The Charity of Night,
Bruce Cockburn breaks new ground in style and substance. This time, the
songs are accentuated by a string section, and producer Jon Goldsmith gives
the songs dimension and complexity. Cockburn's lyrics are familiar in their
meditative, poetic, and sometimes playful flourishes. While he stumbles into
a rather simplistic political protest in "This is Baghdad," the follow-up
song, "Tell the Universe," feels less bitter and more reflective. His songs
about relationships reveal that he's still struggling with failures and
regrets, but "Mystery" is both playful and transcendent in its humble
affirmations of the Divine. Three instrumentals provide further
demonstrations of his guitar-playing genius. And while the concluding
number, "Nude Descending a Staircase," concludes with a rather
dispiriting
punchline (the sound of a gun being abruptly cocked to fire), the effect of
the whole album is to draw us into deeper appreciation of grace even as the
world goes to hell.
(Read Jeffrey's full review
here.)
Essential tracks:
Break This Time, Arizona, Died a Little Today
In a similar show of introspection, sadness,
hope, and first-rate guitar playing, Alejandro Escovedo recorded The
Boxing Mirror. In it, he reflects on loss, his own near-death experience
with Hepatitis C, and an increasing appreciation for the opportunities of each
day.
In "Died a Little Today," he sings, "It's
a strange way we live/ To have been here before/ And leave nothing behind/As
we move towards the door/ No there's no one to blame/ We died a little today."
And with such passionate
guitar-driven songs, which range from poignant poetry to searing rock riffs, he delivers one of the year's most memorable performances.
His band, which brings a violin, a cello, and an accordion to the mix, give
the songs surprising dimensions.
I've enjoyed Escovedo's music in the past, but
once in a while an album just reaches out and grabs you, and convinces you
of a songwriter's brilliance. Okay, so I've been a little slow, as he's
released some highly acclaimed work before (and even inspired a tribute
album). But The Boxing Mirror is the one that
captured me. I'm really paying attention now.
13.
T-Bone Burnett.....The
True False Identity
Essential tracks:
Every Time I Feel the Shift, Shaken Rattled and Rolled
(Read Jeffrey's review
here.)
14.
Sonic Youth.....Rather
Ripped
Essential Tracks:
Reena, Incinerate, Do You Believe
in Rapture?, Turquoise Boy, Pink Steam
Rather
Ripped is the best rock guitar fix of 2006. I've been listening to Sonic
Youth faithfully since 1988's Daydream Nation. And while I've
enjoyed almost every release since then, nothing has quite fulfilled the
potential of their glorious guitar jam-sessions like their latest. Their
lyrics are by turns sly, barbed, sardonic, wistful, and confoundingly
cryptic... but I don't listen to Sonic Youth for the lyrics so much as for
that gauzy, glorious ocean of sound.
15.
Ray LaMontagne.....Till
the Sun Turns Black
Essential tracks:
Empty, Till the Sun Turns Black
It's rather trendy right
now to be a white folk-rock singer with a whispery delivery. But the
substance and bittersweet majesty of Ray LaMontagne's new album earns him a
place beside Sufjan Stevens and Iron and Wine. This is my pick for the
late-night album of 2006.
16.
Elvis Costello and Allen
Toussaint.....The River in Reverse
IEssential
Tracks:
On Your Way Down, Broken Promise Land, Ascension Day
Soulful, spirited performances for the days
after the fall of New Orleans. It's a great collaboration that served as a
fine introduction for me into the work of Allen Toussaint.
17.
Beth Orton.....The
Comfort of Strangers
(Read Jeffrey's review
here.)
18.
Rogue's Gallery:
Pirate Ballads, Sea Songs & Chanteys
A great idea, a
fantastic collection, and an admirable cast of characters: This is an
essential collection for those days when the waters are choppy and
you're short on rum.
19.
Thom Yorke.....The Eraser
(Read Jeffrey's review
here.)
20, 21.
(tie)
Neko Case.....Fox
Confessor Brings the Flood
and
Kim Taylor......I Feel Like a Fading Light
Two
impressive, compelling singer/songwriters; two albums that grow on you with
every listen.
22.
The Hold Steady.....Boys and
Girls in America
Essential tracks:
Stuck Between Stations, Massive Nights
Pounding out the power
chords and tearing into their guitars with more Clash-like energy than any
band I've heard since Chagall Guevara, The Hold Steady are the "it" band of
the year.
I can't say I'm terribly
fond of Craig Finn's voice, whose delivery becomes rather obnoxious at
times, making these songs that you snarl rather than sing, and that can become wearisome after a while. But
his compelling, literary lyrics
—
which narrate stories of
recklessness, indulgence, and the damage done
—
are the strongest threads in this thoughtful, heartbroken whole,
bringing to life a time and a place with abundant details.
It took me some time to
warm up to all of the hype, but their intensity and their poetic conviction
eventually won me over. Let the hooks sink in, and I can almost guarantee
you that you'll eventually be drawn in by their odd blend of brains and
brawn.
23, 24. (tie)
Woven Hand.....Mosaic
Don Peris.....Go Where the
Morning Shineth
Two strong, lasting collections from singer/songwriter/ musicians with distinct styles. One is full of spiritual
inquiries that will trouble your nightmares, while the other will offer
gorgeous consolation.
25.
Beck.....The Information
Beck's albums seem to be leveling out, each
one featuring a handful of brilliantly catchy numbers, and a bunch of
numbers that would have served better as b-sides.
The Information, while arguably better
than last year's Guero, is more memorable for its sonic fireworks
displays than for lyrical substance. Still, "Think I'm In Love" is unusually
candid and endearing, and "Strange Apparition" is one of the most soulful,
spirited numbers of his career. While Beck remains as cryptic as ever, he
still puts on a show worth catching.
Runners-Up. (tie)
Over the Rhine.....Live
from Nowhere, vol. 1 (and) Snow Angels
Live form Nowhere, Vol. 1, the first in
what Over the Rhine promises will be a series of annual live compilations,
is a heck of a way to get started. It captures the 2005 live experience of
Over the Rhine beautifully, a show that was as hushed and haunting as their
2003 shows were elaborate and house-shaking. Drawing largely from the Sweet
Intoxication tour, which followed the release of 2005's Drunkard's Prayer,
it features memorable covers ("Son of a Preacher Man") and a preview of the
song "White Horse" from their next release, a Christmas album called Snow
Angels...
... which was also released this year. And it
too was memorable, not only for the way that they made a Christmas
collection sound like a natural extension of Drunkard's Prayer, but for the
increasingly jazzy vocal performances by Karin Bergquist.
You'll find my review of Nowhere
here, and Snow Angels
here.
Other albums I enjoyed and
recommend:
Sufjan Stevens.....The Avalanche
Sarah Harmer.....I'm a Mountain
Jolie Holland.....Springtime
Can Kill You
Lindsay Buckingham.....Under
the Skin
Eels.....With Strings: Live
from Town Hall
Joseph Arthur.....Nuclear
Daydream
Yo La Tengo.....I Am Not
Afraid of You and I Will Beat Your Ass
Daniel Lanois.....Belladonna
Prince.....3121
Leigh Nash.....Blue on Blue
Jenny Lewis and the Watson
Twins.....Rabbit Fur Coat
PJ Harvey.....The Peel Sessions
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