And so we’ve come to the final list: my top ten favorite recordings of 2016. (If you want to read the list that leads up to the Top Ten, well… here’s Part One and here’s Part Two.) I’ve recorded short videos that feature my personal reflections on each of these
This year, difficult circumstances at home and work — and, let’s face it, all across America — delayed my annual Favorite Music marathon. I know, I know… you’ve all been sitting there, postponing meals and sleep and self-care, just waiting for this to be published. Well, here it comes! These are
I’ve been publishing lists of my favorite albums annually since I was eleven years old. In the early days, I published them in little magazines that I wrote for an audience of one. Today, I offer them to you as treasure maps. You’re invited to explore. This year, I’ve recorded
Until its release next week, you can stream the new Paul Simon album Stranger to Stranger at NPR’s First Listen, and it is well worth a listen. Simon’s been hinting that he might take a long hiatus from songwriting, and I hope that isn’t the case… especially in a year of sudden, unexpected,
He’s 75. And I’m grateful for him.
This post has been amended for the sake of clarification. If you read Version One and were offended, I ask you to read Version Two closely. Thank you! • Eugene Peterson, author of The Pastor and sometimes-celebrated/sometimes-criticized translator of The Message, is — in my humble opinion — a national treasure. I may not
In 2012, a short film that didn’t play on big screens was overlooked for awards and was treated as a joke by a few snarky Facebook users. But in retrospect we can now see that it was not only relevant, it was downright prophetic. [Source.] Meanwhile…
Well, this is cool! Howl & Echoes has determined my soundtrack for today: A new album paying tribute to Blind Willie Johnson is about to be released, including covers of his blues tracks by Tom Waits, Sinead O’Connor, Lucinda Williams and more. That “more” happens to include Cowboy Junkies, the Blind
Congratulations to Cameron Dezen Hammon on the release of Words Don’t Bleed. Cameron’s a gifted writer. I had the honor and privilege of workshopping some of her evocative prose in Seattle Pacific University’s MFA in Creative Writing program, under the direction of great writers like Paula Huston and Lauren Winner.
Put aside for a moment that the getaway-car rush of guitars in the song you’re about to hear sounds familiar; soon enough, I’m going to argue that the resemblance of Shearwater’s “Pale Kings” to another arena-rock anthem is appropriate, perhaps even deliberate. But let that go for now, and just catch