Ebert says he has…

Little by little, title by title, innocence and joy is being drained out of the movies. What do you think of when you hear the name of Robin Hood? I think of Errol Flynn, Sean Connery and the Walt Disney character. I see Robin lurking in Sherwood Forest, in love with Maid Marian (Olivia de Havilland or Audrey Hepburn), and roistering with Friar Tuck and the Merry Men. I see a dashing swashbuckler.

That Robin Hood is nowhere to be found in Ridley Scott’s “Robin Hood”…

“Robin Hood” is a high-tech and well made violent action picture using the name of Robin Hood for no better reason than that it’s an established brand not protected by copyright. I cannot discover any sincere interest on the part of Scott, Crowe or the writer Brian Helgeland in any previous version of Robin Hood. Their Robin is another weary retread of the muscular macho slaughterers who with interchangeable names stand at the center of one overwrought bloodbath after another.

Have we grown weary of the delightful aspects of the Robin Hood legend? Is witty dialogue no longer permitted? Are Robin and Marion no longer allowed to engage in a spirited flirtation? Must their relationship seem like high-level sexual negotiations? How many people need to be covered in boiling oil for Robin Hood’s story to be told these days? How many parents will be misled by the film’s PG-13 rating? Must children go directly from animated dragons to skewering and decapitation, with no interval of cheerful storytelling?

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