Widows (2018)

Widows starts with a bang and then devolves into an overstuffed, over-serious, and even predictable thriller.


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Madeline’s Madeline (2018)

Josephine Decker's wildly imaginative new film is worth seeing for its experimental ambitions, even if, in the end, it's all a bit too much.


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First Man (2018)

Putting Ryan Gosling's feet on the moon, Damien Chazelle has found firmer footing than he did in the eager-to-impress La La Land. This film is modest by comparison, but I find it haunting and enigmatic.


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The Hate U Give (2018)

Preachy, but elevated by an excellent lead performance, The Hate U Give is the kind of after-school special that all of America needs right now.


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A Star is Born (2018)

Bradley Cooper's big remake of A Star is Born strums all those predictable chords so hard, all the strings start breaking.


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Join me for two special screenings of Prospect in Seattle

At two special Seattle screenings of the sci-fi thriller Prospect, I will interview filmmakers Zeek Earl and Christopher Caldwell. You're invited!


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Puzzle (2018)

This film looks like a movie made from far-too-familiar pieces. Instead, Puzzle is a delightful and rewarding surprise.


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Dead Poets Society and the Legacy of Dr. Luke Reinsma

Four years ago this week, I wrote about how I had changed my mind about "Dead Poets Society." This week, I re-post it as a tribute to my favorite professor.


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